This reading/open mic series started out in November at the re-opened Fuze Box on Central Ave., but it was a bumpy start. Last month it moved to this new performance venue, Lark Hall, in an historic Albany building. Long-time Albany residents remember it as the home of Maud Baum’s eba dance studio. It was built in 1916 as a meeting place for the Order of the Eastern Star, a lady’s auxiliary of sorts of the Masons.
The host is R.M. Engelhardt, long-time impresario of poetry open mics in Albany & Troy. This space seems to be a great choice, but tonight there were issues with the lights. The stage has apparently been set up with a lighting system for music performance & theater production (which I haven’t seen here), with moving, rotating lights, but didn’t seem to have a spot for a center stage performer (or at least the staff, a bar-tender, didn’t seem to know how to turn it on). I read early on the sign-up sheet & had to keep shifting my position to catch enough light to read from the pages I brought. This problem with the lighting was eventually settled by turning up the house lights (poetry open mics are not rock shows) & stopping the stage lights from constant movement. Thankfully, Rob has been around long enough to be able to give management a clear idea of what is needed for a smooth-running poetry open mic.
Rob invoked the Muse by reading the lyrics of (still-living) Nick Cave’s lyrics “The Moon is in the Gutter” & “Hamlet (Pow, Pow, Pow).” The I read, a Winter tale of skiing "Whistler 2001." I was followed by Maurice, who has been a consistent follower of Invocation of the Muse, who read pieces titled “The Weather Reports is the Same Distance from Me as the Therapies” & “A Poem Left from Last Nigh,” edgy poems perfect for this venue.
The night’s featured reader was an itinerant poet, K.R. Morrison from the Left Coast on a tour promoting her chapbook cauldrons (paper press, 2021). She is also a drummer in a rock band, a high school teacher, & the only person I know who could use (in her bio) the word “curations” twice in the same sentence. But the poems were intriguing forays into the world of mothers/daughters in the world, as people as artists. From cauldrons she read “Her Burden” (“In one week a woman can …”), “Charlotte Anne” a tribute to her mother who died in 2015, “One Nature Under Murder” for the COVID years, “Silver Lining” (“Silver lining is us, skylines of poets …”). She read 2 other poems not in the book, one written recently while on tour about her family, & one about the line of women ancestors in her “War Woman.” Don’t get me wrong, these aren’t sentimental memoirs, but edgy pieces playing on language, with chant-like repetitions.
Back to the open mic, R.M. Engelhardt read from his new book, the independently published Of Spirit, Ash & Bone — Poems Parables, which he said was “something entirely different & new,” but I didn’t hear that in the 2 pieces he read, in fact the piece “Scriptures” was reminiscent of his earlier work where he speaks directly to the reader in a preachy tone. Austin Houston read “A Prayer for Ukraine” (with a curse on Putin), then the philosophical conversation “The Talk with Father Time.” Joan Geitz also read a piece about Ukraine, a long political rant “Let Us Be Honest.”
Stepping into a long tradition of open mics in bars, tonight’s bartender, Leila, read 2 poems, a list of dreams beginning “I wish…,” then a love poem someone wrote for her. Rebecca Schoonmaker, one of the founders of the Upstate Artists Guild, trotted out her literary talents with 3 Haiku for Spring. Thom Francis read an untitled love poem written recently, then his poem about stirring up memories from the things in his pocket, glad to hear it again.
& that was it for this month. Invocation of the Muse now takes place in Lark Hall, on the corner of Lark St. & Hudson Ave., entrance on Hudson Ave., on the 1st Monday of the month, 7:30PM sign up, 8:00PM start, $5.00 (or more) payable at the door -- featured poet & an open mic for the rest of us.
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