I frequently have other things to do, other places to be on Saturdays when then this series is held each month, but I made sure I was at the Excelsior Pub in Albany this Saturday to hear Pierre Joris. The publicity says it starts at 1:30PM, but then I must believe in the Easter Bunny because all the St. Rocco series readings don’t start until at least a half-hour after the announced time. In fact, this day the host Douglas Rothschild didn’t set up the mic & amp until after 2:00PM, then rambled on about tennis scoring, TV as the origin of the “flashback,” & the flashbacks of Homer. There were a dozen or so in the audience, waiting, drinking beer. Then at about 2:30 Doug introduced Pierre.
But once it started it was a pleasant ramble as it often is at Pierre’s readings. He began reading the last poem he had typed up this morning, perhaps another cormorant poem, or notes leading to one, & on to new translations of Celan, then a series of Haiku, where Robert Kelly popped up for the first time in thoughts on Purgatory (later there was an older piece for Kelly from 1976 & another for his birthday). Pierre’s new poems are in those black, snap-spring binders that were once so de rigueur for any serious poet. He remarked that he has been translating the poems of Paul Celan (1920 - 1970) for 51 years, & is now working on a new translation, from which he gave us a sample of 5 poems.
We took a break. There is an excellent selection of craft beers to make the poetry go down. Then back to the reading.
This is an odd series that showcases the work of one writer in a reading that lasts one hour, which Pierre Joris was able to do holding our attention & interest to the end. But there are few writers I want (or am able) to hear read for a full hour, including myself. In fact I’ve heard many read for 20 minute features that have seemed like they read for an hour; I wonder if that counts? KNOW seems to occur on the 2nd Saturday, definitely at the Excelsior Pub, corner of Philip St. & Madison Ave., & the listings say “1:30PM” but don’t believe it.
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