December 13, 2012

Poetry + Prose, December 9

It's me & Nancy Klepsch as the afternoon's hosts, with a nice sign-up of open mic readers &, more importantly, an audience of happy listeners.

Nancy, battling a cold & laryngitis, managed to get through a new poem, a love poem it seemed. David Wolcott read from his memoir, a chapter titled "C.O." about confronting his family over being a conscientious objector during the Viet Nam War. Kate Laity used her own timer (damn, we need more like her!) to keep track of her reading, a segment of a medieval tale of a young girl being offered to a nunnery.

It is amazing to think that it was the first time here for poetry diva of Albany, Don Levy, but it was, reading classic pop-culture pieces, "Marilyn Monroe & Ulysses" & "The Prime of Miss Don Levy," on surreptitiously watching TV in his parent's bedroom. Ron Drummond began with an anecdote about this morning's church service, then on to the long personal essay, "29 April 2010" that begins with Philip K. Dick, moves to D.H. Lawrence & the chain of being, then he tacked on at the end "a short piece from a work-in-progress."

Tim Verhaegen had us rolling with laughter as he railed against his mother in a piece that began when he found a stack of unopened sympathy cards. Mimi Moriarty read a cluster of poems on holiday themes, "Inventory of Reasons I Will Not Be Celebrating the Holidays," "Two Wise Men & a Buddha," "Hemingway & His Polydactyl Cats" (about spending New Years in Key West), & ended with a meditation on aging, "Hair, a Travelogue." Howard Kogan's poems were also meditations, the first titled "Meditation" explored his "monkey mind" during a poetry workshop at Omega, his second poem is one of my own personal favorites, "Blue Heron." Actually, the piece that I ended the day with is a meditation of sorts, the short prose essay, "God on Alto."

This series continues at the Arts Center of the Capital Region, in Troy, on the 2nd Sunday of each month, starting at 2PM -- prose, poetry, whatever you got that's written.

December 8, 2012

St. Rose Students Open Mic, December 7

Students in the brand-new MFA in writing program at the College of St. Rose came down off the metaphoric hill to Lark St. during the First Friday Art Walk for the first of what's promised as a new monthly open mic at Ben & Jerry's. The reading was hosted by student (& local poet), Jacqueline Kirkpatrick, & most of those on the sign-up sheet & in attendance were students or friends of students. But there were a few community poets in attendance, notably Joe Krausman, Kevin Peterson & me, DWx. The St. Rose faculty was represented by Daniel Nester.

I ended up first on the sign-up sheet (how does that happen?) & read 2 poems from my chapbook Poeming the Prompt (A.P.D., 2011), "Looking for Cougars" & "The Lesson."


Our host, Jackie Kirkpatrick, read 2 untitled pieces, the first a list poem that she said is her email "away message," the second poem was dedicated to the bees who swarmed her when she was younger & put her hand through their nest. Sadie Hickman read a cluster of poems from her tablet, the first was addressed to her fears & horror movies, then "Centralia, PA," "I Blame Prometheus," & the funny, sexy "How to Survive Laundry Day."  Cayla Zaluki had one untitled poem in rhyme, "uncovering truths of a wasted youth" (or was that the title?)


Sarah Sherman began with a poem analyzing dream symbols ("Incubus"), then a tender piece, "Visiting Hours," falling asleep thinking of those dying; her poem "History of Violence" was not a dream poem she insisted, while "Math" was a portrait of an old professor (her father?) playing with numbers. Sampson Dikeman read from a bar napkin "The Kinder Gentler Charles Manson." Monica Mitsaka's poem "Decadent Reminders" exhumed bones, while "2004" was memory & speculation of another kind, as was the hymn to her youth, "Yeah, We Were So Punk Rock."

Juliet waving her magic wand.

Juliet Barney began with a poem using words from the Seneca language, recognizing her the culture, then to the skate-boarder poem "Fakey;" for her last poem ("a Harry Potter poem" she said) she pulled a magic wand from her boot & read "My Sister the Half-Blood Princess," waved her wand & turned the entire audience into toads. Kevin Peterson quickly found his human form & read "Simultaneous Events" about dart & trivia night in a bar, then "Nature Hike" & the list poem from a college lit mag "Chicago Musings."

Jackie was back briefly with another poem "On Being Gregory's Lover" -- I do believe she meant Corso. Dalla Trombley ended the night with observing "The Cracks Between the Deck Boards," then an unkind portrait of a girl in New Paltz, ending with a funny rhyme on Xmas (alas, 'tis the season).

This open mic expects to continue each month at Ben & Jerry's (they like poetry there) on First Friday. Watch for it.

December 6, 2012

Caffè Lena Open Mic, December 5

I like to be on time, particularly for open mics where I plan to read, so that I can hear the other poets on the sign-up sheet. Actually Don & I were on time in Saratoga, just that Hattie's Chicken Shack was not on time with our dinners. So we got next door to Lena's as the first featured poet was reading, & we missed the first chunk of open mic poets -- sorry.

Lynn Ciesielski has a new book out from FootHills Publishing, I Speak in Tongues & included a number of poems from the chapbook, as well as others not in the book. "How to Let Go of a Grown Child" is a Mom's list, tender & funny. Equally tender, but sad was a poem about an octogenarian former professor, "Chaos Theory." In "Let the Whistle Blow" the poet thought of her ashes being tossed on the train tracks to be scattered far & wide. Other poems were set in travel locations, such as the ironic feminist come-uppance of "Practicing Spanish at a Seaside Bar in Cancun," or the less frantic "Two Legs Toward Liverpool." She ended with the sexy & humorous love poem to her husband (dutifully tonight videoing her reading from his phone), "Pizza Again."

AlbanyPoets el presidente Thom Francis was the night's other featured poet, surrounded by his adoring entourage. He said he was reading "mostly new" poems, a relative term to some of us who have heard some of these recent poems at open mics. He began with "At this Moment," then on to the portrait of sad characters at the "Bar." The poem "Stuck," about Time, was written at work (haven't we all), while "Run" examined the power of leaders, cult or otherwise. A particular favorite of mine is "Easter Visit" about a visit to his grandfather in the hospital. The one older poem was "Hero," an ironic portrait of his father as an anti-role model. He said he has been working on "Walk" for 8 or 9 months, a sad portrait of a friend. He ended with another new favorite, a love poem to his insulin pump, "Machine." It certainly was, as Thom described it, "the most personal reading I have ever done."  Good too.

After the break Carol Graser read "Out of Crackers" from her book, The Wild Twist of Their Stems. Then on to the rest of the open mic.

W.D. Clarke was back with another of his rhymed ballads of black humor, the story of a farting corpse, "Saint Shorty." Barbara Garro's poem "Blessing Bridges" was positive & up-lifting & "Wings" referenced the Sufi mystic poet Rumi. Don Levy dedicated his poem, "The Queen," to Thom Francis, then went on to explain "How I Know My Muse is a Gay Man," characteristic Don Levy gay & pop culture humor. I followed with 2 recent poems, the scary "This is Not Trick or Treat" & the true story of a failed Saratoga Springs love affair, "Adirondack Life."

Tess Lecuyer, who will be one of January's featured poets (with Kingston/Albany poet Cheryl A. Rice) read a list of a month's worth of specific prompts for poems, "Prompt Dates." Michael, who has read here in the past, but not recently, was back with 2 untitled poems, one remembering his father, the other perhaps about the force of desire, like walking on lava. Andrew's poem was a philosophical, modern dialogue appropriately titled "Said Socrates," while his 2nd poem was shorter, but with a longer title.

The last poet up, Leslie Nestor, was a (poetry) virgin (!) but you'd never know it from her poems, the wonderfully sexy "This Shirt" & the more involved "To Our Friend Who is in Pain…" advice to a friend suffering through the pain of a lost love.

Accomplished poets, dabblers, & virgins, that's what a poetry open mic is all about. The open mic at historic Caffè Lena is held on the 1st Wednesday of each month, 7:00 sign-up, 7:30 pm start, only $5.00, bring a couple poems to read.

December 5, 2012

HOLIDAY POEM by Enid Dame

(For the last 6 years or so we, the members of the Albany peace community at the peace vigil in front of the State Capitol building, have been handing out a flyer with an excerpt of Enid Dame's "Holiday Poem" on the Wednesday vigil closest to Christmas.  This is the text of the complete poem.)

Make your own holiday, I want to say
forget the scolding billboards      the feverish malls
the glittering tinsel      the hard and soft machines      the guilt.
Forget Santa Claus in his red suit
(it was blue in Yugoslavia,
a country that has fallen off the map).
Forget the gross national product forget      Wall Street      the rising market.
Make your own bread rise in your oven.
Make up new recipes.

Make your own candles, I want to exhort.
Make those bees work overtime!
The past glimmers seductively     that happy safe radiant place
where snow wrapped the village in angelhair
and Grandma’s cranberries winked like rubies.
They own it now    the conglomerates     the CEOs     the dream dealers.
They sell it back to us in bits and pieces.

They’ve downsized our fantasies.
They want us all wrapped snugly in electric blankets
dreaming the same-colored dream
while the locked-out people, who can’t afford dreams,
play with matches down the street.

Perhaps I shouldn’t say a word.
I’m a stranger in this culture.
In the milltown, the stores dazzled us each December.
Red electric bells sang on every corner.
Mothers and neighbors swung through the streets
gathering, gathering
Lionel trains     toasters     perfume     doll furniture     bedroom suites.
(My father the radical worked overtime
offering, offering
smiling, accepting greetings for a day he had no part in,
coming home exhausted after all the bells winked out.
We lit small candles     made pancakes     hung stockings
Santa Claus, my mother allowed     but no Christ child     no pagan tree.
We weren’t extremists.)

My mother the 30s radical
trapped in the 50s in a house too small
for all her talents – even her talent for sorrow –
told me, “Don’t buy me a holiday card.
Why make the card company richer?”
I thought of making my own     pulled out paints
too messy     too lazy     too undextrous     I grew discouraged
Hallmark could do it better! I
gave nothing at all those years.

But this year, in the diminishing ‘90s
when all the old hopeful flames have guttered out,
as the century melts down like a candle to a small hard nub,
when too many of us are locked out of our stories
in this dark cold overworked tunnel of time,
I want to give something back to the universe:

I want to be politically correct
(or incorrect, depending upon your viewpoint).

I want to say, Let’s make a feast,
a feast of candles     a feast of languages
Let’s celebrate each other’s Gods
(and dreams and histories). Let’s sit down and listen.
Let’s do Christmas     Hanukah     Kwanzaa     solstice
Let’s invite Buddhists     Muslims     Hindus     secular humanists     anarchists     Gnostics.
Late December is a needy time. But
we don’t need the solace of bought objects.
We need each other’s light.
(12/96)



Enid Dame (1943 – 2003) was a poet, writer and teacher. She was born in Beaver Falls, Pennsylvania and lived for many years in Brooklyn and High Falls, New York. Her books include Anything You Don’t See (1992, West End Press), Stone Shekhina (2002, Three Mile Harbor), and Where is the Woman? Letters and Poems from California (2006, Shivastan Publishing), edited by her husband, Donald Lev. Enid & Donald co-edited the literary tabloid Home Planet News. Enid Dame died on Christmas morning 2003.

December 3, 2012

Yes, Reading, November 30

This was the last of the semester's programs, the series mixing experimental poetry with other art forms.   Tonight it was poetry & "flexing", with Matthew Klane & James Belflower sharing the intro duties. It also was a "Brooklyn night" with all of the artists traveling up from there.


First up was the poet Rawaan Alkhatib, a poet & visual artist from Dubai.  I could only describe her poetry as "reverent Dadaism." She read a number of short poems, then a longer narrative in word/sound play (doesn't all good poetry have word play?) a funny piece with the recurring phrase "world goat." Other poems in rhymes, half-rhymes, & even some more goats.


Colby Somerville read one long piece, from his iPad, with the repeating phrase, "When the evil shredder attacked…", apparently built on images from videos games, Japanese & kid show super-heroes, a sci-fi apocalyptic narrative, of sorts.


Corina Copp's work was more fragmentary, less musical than the others. However, she did offer some minimal context for her work, though without explanation. One piece was dubbed a "translation" (i.e., English to English) of Shakespeare's sonnet #59, another was an excerpt from what she described as a "strange" large piece, "The Flat Bed," a haphazard collage from other writers & screen writers. Copp was the only one with a book for sale, a flip-book from Ugly Duckling Press (2011) Pro Magenta/Be Met.

As I've said before, with experimental work such as the writing from these 3 poets who read tonight the readers would do well with some explanation of the method or technique the poets used to put together the text. I mean, you can't call it "experimental" without some idea of what the "experiment" is about. Is it a cut up? A random sortex of phrases from some other writer, or themselves? A stoned/drunken/insomniac rant (e.g., Ginsberg's "… lofty incantations which in the yellow morning were stanzas of gibberish").  In addition, all these poets read rather flatly, unexpressively, sort of the yin to the slam poets' yang, so that the words took on the abstract form of music, or at least of a drone.


Robert Williams Taylor (left) & Jason Cust
The final performance was by 2 "flexers," Jason Cust & Robert Williams-Taylor, beginning with a long intro about how they got into this urban dance form springing from reggae music, then a relatively short excerpt from a longer piece, a duet that could best be described as modern dance meets Chinese contortionists. It was, on many levels, more accessible than the poets, in fact I could see writing a poem, or 2, about it.


This provocative series is held sporadically during the academic semesters at the Social Justice Center, 33 Central Ave., Albany, NY, donations appreciated. Friend them on FaceBook.  You can get on their mailing list by sending an email to yesreadingseries@gmail.com.

November 29, 2012

MFA Student Reading, November 28

Barbara Ungar & Jeanne Flanagan
This was a noon-time reading held in the Massry Center Gallery at the College of St. Rose in Albany by the students in the first class of the new MFA in writing program, an advanced poetry workshop. The reading was of poems written around/inspired by the current exhibit, "Ellen Driscoll Core Sample." The works on display were mostly drawings, paintings, some very large, others rendered as a series of folding pages for the single installation piece, an upside down landscape of oil rigs made of plastic bottles. The class' professor, Barbara Ungar, first introduced the gallery's director, Jeanne Flanagan, who welcomed us & spoke briefly about the work on display.


Professor Ungar served as M/C & read at the end. The first student to read was Matt Allegretti, with 2 poems, "The Drowning World" full of oozing oil & man-made disasters, then sex among the ruins in "Take Shelter." Jill Crammond, a frequenter of the open mics, read "The Mother Mistakes Her Son For an Empty Soda Bottle" & "The Artist Needs Titles, Refuses to Name Her Work" in which the poet compares that to not naming your children (Jill never has a problem with titles). Sadie Hickman read a poem about another disaster, the on-going fire in an abandoned coal mine in the (now-abandoned) town of Centralia, Pennsylvania. Barbara Ungar read the poem "In an Art Gallery" by Carol H. Jewell (some of these students have day jobs they can't leave during the day).

Jeanne Flanagan takes the group shot.

Jacqueline Kirkpatrick, who has distinguished herself recently at the Slam at Valentines, read a poem based on a line in a poem by Al Gore (!), "An Inconvenient Shepherd." Sarah Sherman had a different, more personal response to the upside down installation, the poem "Upside Down Thanksgiving," thinking of her grandmother watching over the holiday preparations. Another Albany open mic poet, Carolee Sherwood, read a poem about the Gulf oil spill, "Spill," that included not only oil-drenched birds but lust & desire as well. Barbara Ungar read a couple of her own environmental poems, "Lament" on global warming, & an abcderian poem on animals on the endangered species list, a found poem, "Things Do Not Look As Dismal As They Did."

Good work by all, even the Professor. Check out my Flickr! site for photos of the individual students.

November 28, 2012

Poets Speak Loud!, November 26

Sometimes it is difficult to write about this event. Not because I don't know what to say, but that my notes start to disintegrate towards the end, either due to the spirit, or spirits, of the night. If I leave something out, please feel free to comment with your corrections, additions, whatever. Of course, it's just as likely that your recollection is as faulty as mine, whatever.

Mary Panza served as our host & instigator for the night. She began by announcing that our wonderful waitress here on the last Monday of the month, Allison, who is in the military & is being deployed overseas so this was her last last Monday with us. Walt Whitman said, great poets need great audiences -- but we also need great waitresses: thanks Allison, & be safe.


Tess Lecuyer began the open mic with the marvelous poem she read at the Third Thursday Poetry Night, "Wild Pumpkins."


Sylvia Barnard's poem "Boston Public Garden, November 2012" was written today (!), which she followed with "Russell Square, London" written in 1975.
 
Don Levy also gave us a tour of London with his imagining of "The Queen & I," followed by the elegy, "Twinkies." 

I was up next, repeating "This is Not Trick or Treat" followed by a very ancient piece, "The Pool Shark," read for tonight's featured poet …

… who was Rebecca Schumejda, reading from her long-awaited collection Cadillac Men (NYQ Books, 2012), poems about a pool hall she & her husband once owned, & the characters who hung out there. She began with a poem about her daughter, "First Steps," then on to an introduction to some of the characters, first Mikey Meatball ("Table of Truth"). Next was Spanish Fly in "Afterall This is a Bad Neighborhood," "Wheeling & Dealing," & " Because a Smart Man Can Dignify a Lousy Moniker." The eponymous "Bobby Balls-in-Hand" shows us what's it like to be a loser. She ended with the pool-hall regular, Aristotle, in the metaphysical poem "Sober on a Snowy Day." I've said it before & I say it again, buy this book, it's like a short story collection, only shorter -- & more fun.


Back to a continuing list of open mic poets with Shannon Shoemaker reading an old piece from 2010, filled with the cold moon & loneliness of lost love.


el presidente Thom Francis' poem "Stuck" was from a prompt, no less.
 

Jill Crammond, who is the prompt mama at Up the River, a Journal of Poetry, Art & Photography,  read a love poem to a fisherman, "The Last Thing This World Needs is Another Poem About Flowers," & the villanelle, "Jude (10) Schools His Mother on Psychedelics".


Carolee Sherwood's poem was from a prompt from a headline, "Salmon Swims Across Flooded Road" (to be eaten by a dog), then to another "dinner poem" (or is it romance?) "The Surprise of 2 Red Roosters."


Kevin Peterson began by reading from his pocket notebook a short list of "things people have called me since I've started growing in my mustache" (of course, one doesn't grow a mustache, one just doesn't stop it from growing), then a poem he said wasn't a "slam poem," but had the heft & attitude of one, an angry put down of a sad girl on a train.


Sally Rhoades read from the 2007 High Watermark Salo[o]n journal, "The Cardinal" & the poem for her daughters, "Roosting."


Avery returned us to the Twinkie theme with the distraught poem "Meanwhile at the Hostess Outlet," then the descriptive piece on a flock, I mean murder, of crows.


Poetyc Vysonz ended the night with the new piece he did at the slam last week, part 2 of "Upside Down Inside Out."

I'm sorry I couldn't do justice to the entre poete remarks of our hostess but you just had to be there, it was fast & furious, funky & not true, or at least almost not true -- you had to be there. Poets Speak Loud is at McGeary's on Clinton Square most last Mondays (not in December), about 8PM, sponsored by AlbanyPoets.com.